What was the San Carlo alle Quattro Fontane used for?

What was the San Carlo alle Quattro Fontane used for?

The church was designed by the architect Francesco Borromini and it was his first independent commission. It is an iconic masterpiece of Baroque architecture, built as part of a complex of monastic buildings on the Quirinal Hill for the Spanish Trinitarians, an order dedicated to the freeing of Christian slaves.

What defines San Carlo alle Quattro Fontane by Francesco Borromini as a baroque architectural composition?

Notably, Borromini’s façade for San Carlo alle Quattro Fontane is distinguished by its alternating concave and convex bays, which ebb and flow in sculptural rhythm and suggest a greater continuity between exterior and interior space than High Renaissance flat façades.

Who is the architect of the church seen above?

Who was the architect of the church seen above? Borromini.

What is the symbolic shape upon which the church of San Carlo alle Quattro Fontane was based?

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Greek cross Built to fit in a cramped and difficult site, the church has an unusual and somewhat irregular floor plan in the shape of a Greek cross defined by convex curves.

Who was Robert Smythson?

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Robert Smythson (1535 – 15 October 1614) was an English architect. Smythson designed a number of notable houses during the Elizabethan era.

What is the name of the building pictured above church?

During the rule of Louis XVI. What is the name of the building pictured above? Church of San Carlo Alle Quattro Fontane.

What are the main geometric characteristics of S Carlo alle Quattro Fontane?

Take note of a few of its prominent, and very much Baroque, characteristics: Curving lines – The church’s primary facade is made up of three bays (or sections) that form a serpentine pattern. The bay with the door is convex (curved outward), but the bays on either side are concave (curved inward).

When was San Carlo alle Quattro Fontane built?

Francesco Borromini, San Carlo alle Quattro Fontane (“Carlino”), Rome. Commissioned by Cardinal Francesco Barberini in 1634 for the Holy Order of the Trinity; construction began in 1638 and the church was consecrated in 1646.

What are the characteristics of Borromini’s architecture?

Geometric shapes – Borromini loved geometry, and he incorporated many different shapes into his work. Notice, for instance, the oval medallion at the top of the facade, the rectangular niches for statues and the circular wreaths. Complex ornamentation – The facade of San Carlo is packed with ornamentation.

Did Borromini pass the test?

As we shall see, Borromini passed the test with incredible sophistication and elegance. The church of San Carlo alle Quattro Fontane (St. Charles at the Four Fountains) was built between 1638 and 1641 and consecrated in 1646. It’s pretty safe to say that the Trinitarian monks were more than satisfied with the results.

How did Maderno and Borromini work together?

Together, Maderno and Borromini worked side by side on numerous architectural giants, St. Peter’s Basilica, Palazzo Barberini, Sant’Andrea della Valle, until Maderno died and Borromini found himself working as a solo baroque architect. The concave-convex facade of San Carlo undulates in a non-classic way.